Ernie Gehr Movies

A 2013 English language avant-garde film directed by Ernie Gehr. The film screened at The New York Film Festival in 2013.

Two related videotapes in which Gehr articulates formal connections between organic and geometrical forms, CF1 and 2 adopt the thaumatope structure...

Inconvenient miracles escape prediction but require attention. Roadblocks are building blocks for daily adventures in seeing. Snowscreens. —M....

“We are confronted with everyday images in a romantic way. If you are patient, you eventually see a deli sign that says ‘Carroll...

Ernie Gehr's short, silent film [...] shows two young girls, almost children still, on a New York street. Both wear blue, one washed out blue jeans,...

Nothing extraordinary. Just a ride on the S-Bahn (elevated train) through a small section of what used to be East Berlin. An anxious journey fraught...

The 20th installment of the Auto-Collider series. "In 2005 we were still living in San Francisco, we were there for 18 and a half years, I really...

"This mysterious, delightful film opens with a sound collage of jazzy music and voices played against a black background. After a few minutes, there...

A 16mm black and white, silent film by Ernie Gehr.

A stereoscopic view of a suburban backyard.

"A poetic visual rendition of morning, and an evocation of my awakening to working with some basic elements of filmmaking – film emulsion...

Inside/out at whisper speed, symmetries in locomotion churn soft and feathery floating like a dream. A nocture before nightfall. -M.M.

A brief excerpt from Huge Pupils that has been shown on its own. Portrait of filmmaker Ernie Gehr shown at FIAF's Symposium on the Importance of...

Better than ever. 'They’re dancing better than ever,' commented Ernie Gehr's wife Myrel Glick on seeing how he brought these girls' dance into...

Abstract short featuring mirrored images.

The film is a half-hour series of brief close-ups of people on the street, shot from a high, but still intimate, angle. In a constant interplay of...